Portland Documentary & eXperimental Film Festival

Candy apple light emissions create a series of photic stimulating events that tickle the retinas.

Should I stay or should I go? Is the grass always greener on the other side or is there no place like home?

A mannequin hoedown.

An homage to Ernie Gusella’s Exquisite Corpse (1978). A barrage of oscillating images, which create a new perspective of a seemingly "mundane" world.

Bloodlines intertwines the use of interview, archival footage and images of a traditional healing practice called gha kchal to explore the relationship between the video maker and her mother, a survivor of the Khmer Rouge genocide.

Inspired by the Hwang su – Korean name for the thick yellow dust that is a seasonal phenomenon effecting many parts of Northern Asia.

You CAN get better! An Exquisite Corpse compendium of hypnotic sounds, symptoms, and neurological disorders – treatment is just around the corner! (Warning: may induce side effects.)

Household rituals meant to reduce stress trigger a disruption in the space-time continuum, causing objects in the room to have supernatural properties.

An interactive (karaoke-style) reenactment of a key scene from Vertigo as performed by the filmmaker and the audience.

Ghostly images appear to slip in and out of real time, creating a haunting and ethereal experience, set to a soundtrack composed by musicians Robert Beatty and Ellen Mollé.

Eat it. Lick it. Suck it. Swallow it. Relax, its just food.

The joys of the CVS disposable DV camera.

With mechanical precision this ‘landscape animation’ captures the tension between differences and repetitions of form sampled in a suburban housing estate.

A short meditation on the possibility of spiritual existence and the paranormal in our information age.