Portland Documentary & eXperimental Film Festival

A neo-femme found footage collage.

Simply cats and pants, one still image after the other, a literal interpretation.

Examining the synchronicities shared between the film Cremaster III, Jurassic Park III, and Terminator III, one must wonder what Matthew Barney’s influences are.

About love and rodents, from the La Lotería series of soundtrack videos

An adventure at the intersection between public space and the Internet, still and moving images, desire and the act of looking.

A hand-processed regular 8mm film reveals identity, anxiety, and the importance of learning to love oneself.

By dissecting and reconstructing the filmic corpus (Amelia Earhart, a hot-leg contest, and gorgeous screen babes), Altitude Zero is a palimpsest of cinematic representation.

Paint and ink squirted on strips of film as it ran through a Spinart, creating an array of vibrant patterns.

A herd of buffalo desperately tries to hold on as they cross the film frame.

For the Record is made from a discarded roll of security camera film from a grocery store. The camera photographed the customer and their check simultaneously.

A found footage a cappella arietta for female choir.

One year of my life in 36.6 seconds.

An eye-popping bombardment into the frenetic world of breakfast cereal packaging.

An insightful look into one of the most powerful and commanding kitchen appliances ever designed: the electric can opener.

Each word of a spam letter is matched with one of hundreds of available online images that pertain, however obscurely to that word.

Large Gourd explores issues of control through the behavior of a depersonalized “subject” in direct opposition with broader cultural mores and the consequences that result form this conflict.

Something weird is coming towards you on the stairs.

A compilation of 1,391 individual found photographs of the sunset from around the world.